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Mies admired the broad proportions, regularity of rhythmic elements, and paid attention to the relationship of the man-made to nature, and compositions of using simple cubic forms.
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After World War I, Mies joined the avant-garde peers and followed people like Le Corbusier and Walter Gropius; they believed that architectural designs should focus on rational problem solving and a functional expression of modern materials and structure rather than the superficial application of classical facades. Bearing the Bauhaus idea of functionalism, Mies thought that architecture should not stand on its own; it should not only blend in and react with the surrounding site exteriorly, but also create corresponding designs that speak to the architecture interiorly.
For many of his architectural projects, Mies designed specific furniture pieces. The Bauhaus furniture style was principled with clean, crisp lines and geometric patterns, usually constructed of modern technological materials such as glass, steel, and plastics.
The furniture pieces Mies designed were considered modern in style, and they usually express senses of belongings to his architecture. His furniture is known for fine craftsmanship, and a mix of traditional luxurious textures such as leather combining with modern chrome frames. He also employed cantilevers in supporting structure and the supported surfaces to enhance the feeling of lightness created by delicate frames. The pavilion was also called the Barcelona Pavilion.
It was used as the national pavilion for Germany and was officially used for the Spanish Royalty to oversee the opening ceremonies of the exhibition. The Barcelona Pavilion was a representative piece in modern architecture because of the simplistic form of free plan, and also for its spectacular use of extravagant materials, such as marble, red onyx, and travertine.
Mies designed the iconic Barcelona chair and stool specifically for the pavilion. According to Mies, the pavilion was going to be bare, without any trade exhibits. The lack of accommodation would enable him to treat the pavilion as a continuous space, and blur the boundary of inside and outside.
Mies van der Rohe: Architecture and Design in Stuttgart, Barcelona and Brno. Skira, Building desire: New York: Abingdon [UK]; New York: Routledge, Key Building of the Twentieth Century.
Norton and Company. The intersection of the two curves created a compressed forms of curvilinear X structure. See Figure 4 Such simple shape could be derived from the ancient Egyptian folding stools to the nineteenth century neoclassical seating. The cantilevered seat and the back of the original chairs were upholstered in white kid leather with welt and button details. Mies patented the design elements in the s to Germany, Spain, and the United States.
The Barcelona chair was manufactured in the United States and Europe in limited production from the s to the s. In , Mies ceded his rights and his name on the design to Knoll Studio, which was a design firm founded in New York City.
Although Knoll Studio claimed to be the current licensed manufacturer and holder of all trademark rights to the Barcelona chair, a large replica market continued. ISBN Barcelona Chair.
An authentic piece should be 30 inches high, 30 inches deep, and Every piece is also labeled with an individual production number with a corresponding certificate of identification and authenticity. The stainless steel frame is hand-welted and hand rubbed to a mirror finish from a single hide, using only high quality Spinney beck leather. The cushions are upholstered with 40 individual panels cut, and were handled to follow the curved structure but not a hard pound of cushion.
See Figure 6 The leather should feel soft and supple, instead of rigid and thick. It should also be matte; shiny leather is often a sign of a fake chair.
The version produced by Knoll Studio is upholstered using twenty individual panels, cut and hand-welted then tufted with matching buttons whereas cheaper copies are simply one piece and pleated. See Figure 7 It was the very first manufacturer, which produced the Barcelona chair in the Barcelona Pavilion.
It had eight seat and seven back leather straps with two buttoned leather removable upholstered cushions. The Tugendhat couple was very fond of the Barcelona chair when they visited the World Exposition, and requested Mies to design a modern piece of furniture for their house as well. She developed her talents as a painter and designer of furnishings, textiles, and also architecture.
Gray started off her career in lacquer repair, lacquer design, and interior decorating in which she designed furniture and accessories. In the early s, Gray created lacquered screens, architectural paneling, and extravagant furniture in the Art Deco style, which were characterized by rich colors, bold geometric shapes, and lavish ornamentation.
She explored decorative surfaces with luxurious materials, such as lacquer and glass. Under the influence of Le Corbusier, Gray became a proponent of modernism by the mid s, and turned her attention mainly to architecture afterwards.
Practical Furniture Design
Being in a relationship and collaborated with the Romanian architect and architecture critic Jean Badovici, Gray designed a summerhouse for themselves in , named E Eileen Gray: Her Life And Work. The form was considerably open, with floor-to-ceiling windows facing the sea. Gray designed her most iconic piece of furniture for this house; it was the circular glass E table.
The top was 2. In photographs of the House of E, the E table was shown being used next to a bed. In fact, the table was originally designed for one of her sisters who fancied of eating breakfast in bed. Nevertheless, the its adjustable function made it a very multifaceted piece that can be used where it is best needed.
One can heighten the glass table top up to just under a meter above the floor. The table can be placed in a bedroom next to the bed, or be a side table in the living room, carrying coffee cups or magazines. Only three original examples made for the House E in the s have survived. Two of them were sold in auction in ; one was acquired by the Centre Georges Pompidou, Paris, while the other one was obtained by the Vitra Design Museum in Weil-am-Rhein.
Design and Architecture, Taschen, Besides that the E table is included in the permanent collection of the Museum of Modern art in New York, the worldwide license holder of the furniture belongs to Aram Designs Ltd, made in Italy.
An authentic piece should have the Eileen Gray signature stamp on the inside of the outer upright tube. The frame of the authorized edition is only ever produced in chromium plated steel tube with the choice of a crystal clear, glass, smoked parsol glass, or black lacquered steel top.
The small protuberance appeared on the top of the handle and on the height-adjusting bracket were small details not to be neglected; those features have not changed since the table was first put into production by Eileen Gray and Zeev Aram in the mid s.
Despite of the table E, there were many of her other works expressed a combination and a gradual change of her Art Deco style to modernism.
Isamu Noguchi — Isamu Noguchi was a Japanese American artist and landscape architect known for his sculpture and public works including several mass-produced lamps and furniture pieces. He also designed various stage sets for Martha Graham productions. Noguchi started his early artistic career as a sculptor apprentice to Gutzon Borglum, who was known as the creator of the Mount Rushmore National Memorial. In in Paris, he started a seven-month assistantship with Brancusi, and gained his footing in stone sculpture.
The sets of biomorphic creations can also be seen in his few furniture designs. In , he started a contacting relationship with Herman Miller, a major American manufacturer of office furniture, equipment and home furnishings based in Zeeland, Michigan. Founded in , the company, however not until the s started relationships with multiple modernist designers and debuted a line of modern furniture.
The Goodyear design featured an organic form with a sculptural rosewood base, and a kidney shaped glass balancing upon three points grown from the base. See Figure 14 The design team at Herman Miller was impressed by the biomorphic form of the Goodyear table, and recruited Noguchi to design a similar table also with a freeform sculptural base and a biomorphic glass top for interior use in residential and office environments.
The Noguchi Table was similar to the Goodyear table. The base was consisted of two identical components carved from solid walnut; one part is reversed and connected to the other by a pivot rod The shape of the two wooden supports produces a self-supporting and stable base, allowing the heavy glass to place on top without the use of connectors.
The base was originally produced in materials of Walnut, Birch, and Cherry. Ebonized Walnut was later reissued. It is important to note that cherry bases were made only during the first year when the table was on the market, and have been highly sought since.
Classic Herman Miller. Atglen, Pennsylvania: Schiffer Publishing. The authentic version from U. Only the cherry tables are truly the rare collectibles, but they do not show up for sale except at high-end auctions. The Noguchi table is simple in its design and made it difficult to tell if a piece of it is an authentic or a fake at glance.This type of furniture usually had weird shapes, clean lines, bright colors, and was often made out of odd building materials.
Those types of events usually have much higher-quality pieces of furniture, and it could be a fortune to occasionally score a deal on an excellent addition to your collection. Sofas and armchairs Sofas. It is up to one that what types or what styles one is interested in investing. Although the focus is on the area of modern furniture, one should also be acknowledged of other styles, such as classical, middle ages, Rococo, neo-classicism, mission style, Arts and Crafts Movement period of furniture as well as European, North American, American, and Asian furniture.
The larger subjects or classifications America, Chair, Construction, France, Gothic, Modern, Wood, and so on are treated at some length and are related to the arrangements of pictures. Meeting room furniture collection Top Management The perfect table for meeting rooms that require a unique piece with respect to its design, customisation and utterly functional character.
IKEA is the common furniture center people would think of right away. The modernist design movement began in the late s, and ended approximately in the early s.